Sunday Reading
New
Delhi, 30 September 2018
Mahatma & Cinema
By Nikhil Gajendragadkar
Mahatma Gandhi’s personality and his thoughts
continue to influence India even today. Long before India gained independence,
Indian writers were writing poetry, stories which had clear impact of his
thoughts. Cinema, an art form born in the 20th century, could not
have been aloof to Mahatma’s ideology. Yet Indian cinema did not do justice to
this great man’s philosophy or the man himself. Now as the nation is preparing
to celebrate his 150th birth anniversary year, it will be
interesting to take a look at the effect of the man on the medium.
A frail man called Mohandas Karamchand Gandhi
touched Indian shores and soon became the guiding light of a nation, which was
fighting to gain independence from a Colonial power. He propagated the idea of
‘Ahimsa’ or Non Violence as a weapon in this struggle. In no time he was
nicknamed ‘Bapu’ and later people started calling him ‘Mahatma’.
Mahatma Gandhi’s ideology had spread to every
corner of India and inspired many minds in early 20th century. Many
writers were portraying protagonists, who were ready to sacrifice their home
and love for the sake of the well-being of the nation. Cinema was a nascent
medium then. Majority of the films were coming from England or the UK and few
from the US. But the medium had attracted many youngsters from various parts of
the country, Maharashtra and Bengal (then undivided) being in the forefront.
The father of Indian Cinema, Dadasaheb Phalke’s
and India’s first feature film was influenced by Gandhian thought. His film was
about a king ‘Raja Harishchandra’ who upheld value of truth. This king was
Gandhi’s idol.
In the transition from silent to sound films,
‘Bombay Talkies’ a famous and revered production house, produced a milestone
film titled ‘Achoot Kanya’ (1936). It
depicts a love story between a boy from socially upper strata section and a
girl from then prevailing custom, the lower strata of society. Debika Rani,
owner of the Bombay Talkies’ was a well-established actress and a new comer
Ashok Kumar portrayed the hero. It was a courageous step to portray such a forbidden
relationship in those days.
The film has clear influence of Gandhi. All
through his life, Gandhi strived for the upliftment of the downtrodden, to give
them a place of acceptability in society. He used to call them ‘Harijan’. Earlier,
a film by Debaki Bose handled a similar theme. His ‘Chandidas’ (1932) tells a love story between a so-called upper
caste boy and a girl, considered then as from a lower class.
But a film by ‘Prabhat Film Company’, a
powerful and influential production company operating from Pune, Maharashtra,
stands out as a classic. Directed by legendary V Shanataram, ‘Dharmatma’ is based on the life story
of a 16th century saint-poet Eknath. The film focuses on an incident
when Eknath went to the house of a family of an ‘outcast’, according to the
then prevailing belief. The film promotes social harmony and propagates idea of
equality, so dear to Gandhiji. The film’s original title was ‘Mahatma’, naturally inspired by Gandhi
himself. But British censorship objected to it as they whiffed ‘nationalism’ in
it. So the title was changed. Sensitive direction made the film thought-provoking
but was not propagandist.
Besides these, not many films were made which
can be said to have been influenced by Gandhi’s thoughts. Commercially
successful film ‘Kismat’ (1943),
again made by ‘Bombay Talkies’ had a song ‘Door
hato ai Dunaiwalon Hindustan Hamara Hai…’ echoing ‘Quit India’ movement of
1942 started by Gandhiji. In the shadow of the Second World War, censorship was
harsh and raw films got scarce; Indian, particularly Hindi cinema, became more
commercial. Every producer wanted his investment back. So films turned more
entertainment-oriented, there was no place for any serious thought. And after
independence, cinema became unashamedly escapist.
Still Mahatma Gandhi is perhaps the most
filmed personality. There are many documentaries related to him and his struggle.
Most of the footage was filmed by British authorities, not because he was a
great leader, but to keep a record of his activities. Fortunately, that turned
out to be the treasure trove for documentary makers later. Such an attempt was
first made by A K Chettiar. He shot extensively in India, the UK and South
Africa. The documentary titled ‘Mahatma
Gandhi: 20th Century Prophet’ was released on 23rd August 1940.
But soon it was withdrawn from theatres because of harsh British censorship. It
was re-released in 1947.
Now only two short versions of the film are available
in the US. The original footage collected and shot by Chettiar is lost. There
were other documentaries too, but these used the same old footage so there is
nothing new. In 1953, the Government of India toyed with the idea of making a
film on Gandhi’s life but had to abandon it due to lack of expert human
resource.
But in the same year, an American feature
film was made, titled ‘Nine Hours to
Rama’. It was based on a novel of the same title by Stanley Wolpert. It is
a fictional account of the last nine hours in the life of Gandhiji. As per the
novel and the film, the attacker gets caught before any untoward incident.
There is no way to know how the film was received in India then.
There was no feature length film on the life
of Mahatma Gandhi till 1982, when the film ‘Gandhi’
directed by great British director Sir Richard Attenborough was released. This
is a brilliant ‘bio-pic’. It shows the journey of a Barrister to Mahatma, his
conviction, belief in non- violence, his relationship with his colleagues and
Colonial forces and much more. The film famously bagged several international
awards and remains the best film on Mahatma’s life.
Later, the character of Gandhi appeared in feature
films based on or related to India’s freedom struggle or people from that period.
Still mainstream Hindi cinema was aloof to this great man. It seems the fear
that their film might hurt somebody’s feelings and sentiments, kept them away
from this subject.
So, after a long pause, Gandhi once again
appeared in a mainstream or commercial Hindi film titled ‘Lage Raho Munnabhai’. The makers touted it as the film which spreads
and re-introduces thoughts of Mahatma to the young generation. Released in 2006,
the film was a huge box office success. It popularised the term ‘Gandhigiri’,
which sounds similar to ‘Dadagiri’, the Hindi word meaning acts of a goon. Cooperation
and boycott were non-violent means used by Gandhi as weapons, and to term these
as Gandhigiri is a fallacy.
The protagonist of the film is a criminal (it
is difficult to forget the past of the actor, who is in the lead role) who
falls in love with a radio jockey, who happens to be a good looking girl. To
win her over, he decides to come out of the shadow of his past. So, this is
basically a love story with a twist. But did its success lessen, if not eliminate,
crime from Indian society? Did it reduce hatred?
The strength of ‘Lage Raho….’ is its cleverly written script, which entwines the
character of Gandhi and his few thoughts. While Gandhi also championed sacrifice
and simple living, these ideas do not find a place in the film. So the claim
that the film ‘promotes’ Gandhian thought is very generalised and sweeping
statement. This film now has become a thing of the past.
People like to use Gandhi’s name
conveniently. In the world of Cinema ‘notes’ with the picture of Gandhi is more
valued than his thoughts. India’s film world neglected this great man and that sadly
is the reality.---INFA
(Copyright, India
News & Feature Alliance)
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